Gracie Ward Napaltjarri

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DOB: 1972
BORN: Papunya, NT
LANGUAGE GROUP: Pintupi/Ngaanyatjarra
COMMUNITY: Warakurna, WA

Gracie Ward

Gracie Ward Napaltjarri is a Pintupi/Ngaatjatjara woman from Warakurna, WA. Born in 1973, Gracie has had the honour of seeing the artworks produced since the early days of the Papunya Tula Art Movement (of which her father, George Ward Tjungurrayi, was a founding member) being created. George Ward Tjungurrayi is still considered one of the original masters of the Aboriginal Paintings movement.  As a small child, Gracie moved to Docker River and later to Warakurna in Western Australia.  With the encouragement of her well established artistic family, Gracie started painting in 2004. To begin with, she painted in a typical Pintupi dot style, but later in 2008, she captured in her paintings very bold striking colours.  Gracie’s creations are now about her grandmothers’ traditional homelands and the women’s ceremonies performed around women’s business.

This painting depicts designs associated with the rock hole site of Marrapinti, situated in a creek bed west of the Pollock Hills in Western Australia. The lines in this work represent the tali (sandhills) that surround the site.

A group of women of the Nangala and Napangardi kinship subsections camped at Marrapinti during their travels further east. While at the site, the women made nose bones, also known as marrapinti, worn through a hole made in the nose web. During ceremonies relating to Marrapinti, the older women pierced the nasal septums of the younger women participating in the ceremony. Both men and women initially used these nose bones but are now only inserted by the older generation on ceremonial occasions. Upon completing the ceremonies at Marrapinti, the women continued their journey east to Ngaminya and then to Wirrulnga before eventually travelling to Wilkinkarra (Lake Mackay).

Gracie has employed her painting style to express this story, having moved away from the intricate dot work used in her earlier works. She now creates her art using more textured, organic dotting. Using bright, bold colours as highlights throughout a bright and more traditional palette, Gracie has become one of the region’s most sought after younger artists.

2019 KAAF Art Prize, Sydney – Finalist
2018 Mosman Art Prize, Sydney – Finalist
2015 John Fries Art Award – Shortlisted

Selected Solo Exhibitions
2015 Gracie Ward: Spectacular New Works, Kate Owen Gallery, Sydney

Selected Group Exhibitions
2020 Sounds of Summer, Japingka Gallery, Perth
2020 60 by 60 – Small Paintings, Japingka Gallery, Perth
2019 International Women’s Day, Kate Owen Gallery, Sydney
2019 Landscape Colours, Japingka Gallery, Fremantle
2014 Winter Warmers, Kate Owen Gallery, Sydney
2013 George, Nyungawarra & Gracie: A Family Affair, Kate Owen Gallery, Sydney
2012 Meeting Cultures: Australian Contemporary Aboriginal Art – ARTECLASICA (Argentina Art Fair)
2012 Heirs and Successors, Japingka Gallery, Fremantle
2011 Next Generation, Ochre Gallery, Melbourne

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